塞缪尔·贝克特小说三部曲中的主体解构之路

On the Disintegration of Subject In Beckett' s Trilogy

爱尔兰作家塞缪尔·贝克特的最重要作品小说三部曲:《莫洛伊》、《马龙之死》、《无法称呼的人》,代表着贝克特的文学成就,很好显示了贝克特的文学才华。他的小说三部曲基本没有连贯的情节,人物也都扭曲变形,语言纯粹、没有任何修饰成分,本文在仔细研读文本的基础上阐明小说三部曲主人公思维主体解体的过程。莫洛伊追逐生命的起点意义,但他的思维混乱无序无法达成愿望。莫朗的世界被理性统治者,但殊途同归的追寻之路映射混乱的世界中主体的轰然倒塌;马龙的死亡写作验证了其主体的地位晦暗不明,完整的主体性根本不存在;无法称呼的人不断地言说自我正说明自我的不存在。

Beckett' s literary achievement is represented by his novel trilogy-Molloy, Malone' s Death and Unknown Person which also well demonstrates his literary talent.There are generally no coherent plots in his trilogy,in which described figures are also distorted,and the word is pure with no modifiers.The subject has already disintegrated and the body is eager to find its own voice to prove the self-existence.While as for the faintness of the body being watched over Omni presently, the salvation mission cannot be finished.Even holy sex has got rid of the manacle of ethics,virtue and religion and been floating in the air which is a weight that the life cannot burden.