摘要
电影《大红灯笼高高挂》运用各种视听、叙事形式技巧,有层次地营造了大院、四院和死人屋这三个形式化的空间,以陈佐千、管家和男佣分别作为联络人,共同构建了空间形式和精神层面上的封建男权社会空间,表现了对女性生存境遇和心理的人文关怀,审视了封建男权下女人悲剧的命运。
By using various kinds of visual and narrative techniques and skills, such formalized spaces as the grand courtyard, the fourth courtyard and the bone house were gradually built in the movie Raise The Red Lantern. Taking Chen Zuoqian,the steward and the Manservant as the liaisons, the movie constructed a feudal patriarchal social space on spiritual level, giving women hmanistic concern about their living circumstances and their inner world and thus surveying women's tragedy in the feudal male dominated society.
出处
《理论界》
2015年第1期144-147,共4页
Theory Horizon