海派文学的隔空比照——郭敬明《小时代》的症候分析

Comparison of Shanghai style literature——Symptom analysis of Tiny Times by Guo Jingming

《小时代》的故事全部发生在上海,上海在海派作家和郭敬明的笔下,展现了从殖民地转型到开放性世界城市不同历史时期的形象。由于所处的历史语境不同,对上海的解读当然也构成了差异性。试图从海派文学的一贯传统来探寻郭敬明作品《小时代》里海派文学的基因。虽然作为通俗流量作家的郭敬明,在文学史上无论从地位还是体量上都无法与海派作家相比,但是任何一种文学形式、文化现象都不是凭空而来,《小时代》也应该有它自己的历史参照系。海派文学在中国文学史上有着鲜明的症候群似的特征,这种特征在时间的打磨中成为某种坚固的历史惯性,这种历史惯性到了郭敬明这里尽管已经变异模糊,但从《小时代》身上仍能找出海派文学历史惯性的痕迹。

The stories of Tiny Times all happened in Shanghai.Shanghai-based writers and Guo Jingming’s pens show the image of Shanghai of different historical periods from colonial to open-world cities.Due to the different historical contexts,the interpretation of Shanghai certainly constitutes a difference.This thesis attempts to explore the genes of Haipai literature in Guo Jingming’s Tiny Times from the consistent tradition of Haipai literature.Although Guo Jingming,apopular traffic writer,can’t compare with Shanghai style writers in terms of status and quantity in literature history,any kind of literary form and cultural phenomenon does not come out of thin air.Tiny Times should also have its own historical reference system.Shanghai style literature has a distinct symptom-like character in the history of Chinese literature.This feature has become a certain historical inertia in the polishing of time.This historical inertia has arrived at Guo Jingming.Although it has been ambiguous,the traces of the historical inertia of Shanghai literature is still found in the Tiny Times.