《泰囧》——关于商品的后现代叙事与集体主义的乌托邦

Lost in Thailand:The Postmodern Narrative about Goods and An Utopia of Collectivism

从杰姆逊文化批评的视角剖析《泰囧》的观影狂潮,可以展现这一艺术文本如何实践着"乌托邦和意识形态的辩证法",可以看到艺术创作如何表征了当代社会的转型。置身于全球化背景下的电影艺术,无论是创作还是欣赏,都受到了商品化逻辑的全面渗透。尽管这一真相是在艺术批评中以想象的方式得以重现,却作为现实生活的回声发人警醒。

The film Lost in Thailand brought Chinese a viewing frenzy in 2012.To analysis it from Jameson's cultural criticism perspective,we could see how the film art represents the transition of contemporary society.The commercial logic permeates the arts in both creation and appreciation in the context of Globalization.We try to reproduce the truth in art criticism and enlighten people to rethink the artistic charm.