论“高岑体”含义的演变

The Evolution of the Meaning of Gao Shi-Cen Shen Style

学术界对"高岑体"的认识经历了漫长的探索期后,这种认识才越来越精准。从唐代杜甫的"高岑殊缓步",到宋元明三代对高适、岑参二人诗歌的探讨,再到清代诗论家对高岑二人边塞诗的重视,最后到近现代以边塞诗将高岑并举。在这个过程中,"高岑体"的含义指向由综合诸体向专指边塞诗演变。

The academic community’s understanding of 'Gao-Cen style' has become increasingly accurate after long period of exploration. Since Du Fu’s comment in Tang Dynasty that 'Gao Shi and Cen Shen got famous in their late years', to the explorations of the their poems in Song, Yuan and Ming Dynasties, then to the highly appraisal of their frontier poems by poetry critics in Qing Dynasty, and finally to the high esteem of the two poets for their frontier poems, the meaning of 'Gao-Cen style' is evolving from the comprehensive style of poetry to the specific style of the frontier poetry.