中国电影大片:“类型性”角度的思考

Chinese Blockbuster: Pondering in Types

新世纪以来,从《英雄》开始中国电影"大片"的概念约定俗成并深入人心。《集结号》是中国大片的一个转折点,并逐渐呈现出若干类型性特征,即一种具有中国特色的电影大片类型。但一些大片在类型定位上并没有遵循类型电影的规则,自觉或不自觉的非类型或反类型实践,使得大片留下一些矛盾和尴尬。尽管如此,当下中国电影事业是需要大片的,它可以带动电影市场。当然,大片类型需要成熟和优化,需要妥善平衡艺术/商业、本土/国际等复杂二元对立之关系。

Complying with the film《hero》, the concept of "Chinese blockbuster"has been established by usage and is deeply rooted among the people during the past new century.《Assembly》is a vast turning point of Chinese blockbuster and gradually displays some type characteristics; that is one kind of large-investment film having Chinese characteristics. But a few blockbusters haven’t followed the principles of type films in evaluation, and non-type or anti-type practice with conscientiousness or no conscientiousness leaves blockbuster some contradictions and awkward. Nevertheless, current Chinese film cause needs large-investment films , which can spur film market on. Of course, blockbuster type needs to mature and optimize; it requires to well balance the binary countering relation of the commerce and art in mainland and internationality.