论孟京辉《恋爱的犀牛》的传统回归

Study on the Traditional Return of " Rhinoceros in Love" by Meng Jing Hui

最能代表孟京辉先锋戏剧特性的《恋爱的犀牛》自1999年首演至今,历经四次重排登台,每次都能在话剧圈刮起强劲的"孟旋风",过去对该戏褒贬不一,时下则逐渐趋同于将这四次重排看作该剧为获得观众而进行的"大众化"过程。本文从创作心理和传统戏剧创作特征两方面出发,阐明不同观点,即这四次重排是孟京辉将先锋戏剧打造成经典的不懈努力,并为此将传统戏剧因素融入了该剧之中。

" Rhinoceros in Love" which can most represent Meng Jing Hui’s pioneer drama character goes up on stage through four times of dry run since its first performance in 1999.Each time on performance,it can sweep the forceful "Meng whirlwind in modern drama circle".In the past,the play was given a mixed reception,ie one of criticism and praise,but now it tends gradually to regard the four times of dry run as a process of "popular" for gaining audiences.From two aspects of psychology of literature creation and the characteristic of the traditional drama creation,this article expounds different views,that is the four times of dry run is Meng Jing Hui’s unremitting efforts to make the pioneer drama classics and integrate tradition drama factor into the play.