摘要
20世纪中国乡土小说的叙事艺术问题 ,构成了研究 2 0世纪中国文学的重要课题。学界对此向来有不同的认识与理解。当乡土叙事被纳入到现代视角中重新进行结构时 ,即呈现出乡土理念的现代哲学意蕴。从鲁迅开始的现代乡土小说叙事不仅打破了古典小说的叙事艺术 ,而且深刻影响了 2 0世纪中国小说叙事的发展。民间理性参与乡土叙事的过程 ,是对叙事方式的不断认同与选择的过程 ,在这个过程中 ,民间理性潜隐于乡土叙事范式 ,使乡土叙事既符合乡土民间的叙事美学要求 ,又呈现出现代叙事学的结构主义特征。
The issue of narrative art in 20 th century Chinese local-color novels has become an important one in the research on 20 th century Chinese literature. In the academic circle, there have been different ideas and understanding. When local-color narrative is reconstructed within modern vision, it takes on modern philosophical implication of local-color notions. Modern local-color novels since Lu Xun not only broke the narrative art of the classical novels, but profoundly influencing the development of narratives of 20 th century novels. The process of folk reason participating in local-color narrative is one of constantly identifying and choosing the narrative means. In this process, folk reason is underlying the local-color narrative mode, which is not only conforming to the needs of folk narrative aesthetics, but also presents the structural features of modern narratives.
出处
《理论学刊》
CSSCI
北大核心
2003年第2期125-128,共4页
Theory Journal