摘要
从艺术形式上看 ,高行健积极致力于“完全的戏剧”的探索 ,其策略是西体中用 ;从思想内容上看 ,高行健逐渐脱离了政治 ,并走向了反动 ,这是应该批评的 ,但他引禅入戏的做法却是值得赞扬的。
On the artistic form,Gao Xingjian has explored “absolute theatre” positively,w hose strategy is to use the West for China;On the ideological content,Gao Xingji an has broken away from politics gradually,and has moved towards the reactionary ,which should be criticized,but his drawing the zen into the practice of the the atre should be praised.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2003年第1期49-61,共13页
Drama:The Journal of the Central Academy of Drama
基金
全国艺术科学"十五"规划青年基金项目 :中国当代先锋戏剧研究 (1 979- 2 0 0 0 )
项目编号为 0 1CB5 1
