摘要
欧阳修的艳词多写下层官吏与妓女之情,柳永的艳词多写落魄文人的狎妓;柳用长调笔法,铺叙延展,欧用小令笔法,遗貌取神;柳以平面叙述,突出人物心态,欧以立体描写,突出人物声情;欧追求雅正,柳不免卑俗;他们都向民歌学习,使其走向艺术生命的旺盛。欧的艳词得到后代文人的曲意辩护,柳的艳词受到种种不应有的责难。
Ouyang Xiu always wrote love poems about the feeling between lower officials and prostitutes,wheras Liu Yong wrote about the dissipated scholars.Liu Yong liked to write Chang Diao but Ouyang Xiu Xiao Ling;Liu Yong's love poems projected these people's mood but Ouyang Xiu's the people's feelings.Ouyang Xiu pursued elegance but Liu Yong's love poems are vulgar.They both learned from folk songs,marching to the flourishment of their artistic career. The next scholars spoke for Ouyang Xiu, and Liu Yong is always blamed in the development of literature.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2003年第2期86-90,共5页
Journal of Nanchang University(Humanities and Social Sciences)
基金
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