摘要
古代《诗经》、楚辞、五七言诗、词曲以及现代格律体新诗的主要句式的构成和演变有如下规律:汉语诗歌是由歌诗向诵诗发展的,诵诗的节奏才是诗歌语言自身的节奏;这种节奏主要由句式体现;句式主要由双音顿构成;句式以包含三顿数和四顿数为适宜;句式适宜以音数较少的音顿结尾。
From analyzing the formation and evolution of main sentence patterns of the Book of Songs,the Songs of Chu,the Five-character and Seven-character Poems,Ci and Qu, and modern metrical poems,this essay concludes that these sentence patterns embody the rhythm of Chinese poetry, that these patterns are formed mainly of two-syllable duns,including three or four duns with the end of less syllables.
出处
《南昌大学学报(人文社会科学版)》
北大核心
2003年第2期96-100,共5页
Journal of Nanchang University(Humanities and Social Sciences)
关键词
汉语诗歌
句式
单音顿
双音顿
三音顿
单音结尾
双音结尾
《诗经》
楚辞
顿歇节奏
Chinese poetry
sentence patterns
one-syllable dun
two-syllable dun
three-syllable dun
ending in onesyllable
ending in two-syllable dun