摘要
《焦仲卿妻》中的“东南”并非表示确切地理位置的方位词,而是特殊的艺术“东”、“南”分别同八卦中的“震”、“离”;家庭成员中的“长男”、“中女”;四季中的“春”、“夏”;五行中的“木”、“火”;五色中的“青”、“赤”和 五味中的 “酸”“苦”形成了对应关系。“东南”既象征着爱情婚姻,又象征着痛苦哀愁。《焦仲卿妻》以“东南”意象起兴和作结,奠定和强化了该诗赋艳和悲剧的色彩,产生了爱情悲剧的震撼力。
The word 慡outheast?in The Bride of Jiao Zhongqing is not a word to express an exact geographic position, however, it has a special artistic image. 慐ast?and 慡outh?respectively forms corresponding relations with to 憇hake? and 憀eave?in the Eight Diagrams; the 慹ldest son?and 憁iddle-birth daughter?in family members; 憇pring?and 憇ummar?in the four seasons; 憌ood?and 慺ive?in the five trades; 慻reen?and 憆ed?in the five colors and 憇our?and 慴itter?in the five flavors. Therefore, this article thinks that the words 慡outheast?symbolizes not only love and marriage but also suffering and sadness. The Bride of Jiao Zhongqing which starts and ends with 慡outheast?image establishes and strengthens the tragedy coloring, and also produces the vibrating force of love tragedy.
出处
《成都理工大学学报(社会科学版)》
2003年第1期67-71,共5页
Journal of Chengdu University of Technology:Social Sciences
关键词
东南
爱情婚姻
《焦仲卿妻》
诗赋
southeast
love and marriage
suffering and sadness