摘要
从“象征”的视角 ,将艺术理解为对世界的象征性表达。象征意义的投射有三个维度 :外部世界 ,即“自然” ;内心世界 ,即“自我” ;理想世界 ,即“自由”。从这三个交错的维度观照艺术 ,可以将摹仿论、表现论和形式论融汇于同一参照系 ,而古代艺术、近代艺术和现代艺术在表现主题上的变迁 ,则是象征关系在这个三维框架中的解构与重构。
The paper considers art as a symbolic representation of the world with three dimensions,namely,nature being the outside world,ego being the inside world,and freedom being the ideal world.By means of this the theory of imitation,the theory of expression and the theory of form can be converged into one frame of reference.Thus the transition of motif from ancient art through modern art into contemporary art can be interpreted as the deconstruction and reconstruction of this symbolic relationship.
出处
《汕头大学学报(人文社会科学版)》
2003年第2期44-52,共9页
Journal of Shantou University(Humanities and Social Sciences Edition)