5Marina Loffi Randolin.CARLO SCARPA.The MIT Press,1986.
6Frampton Kenneth.Studies in Tectonic Culture:The Poetics of Construction in Nineteenth and Twentieth Century.The MIT Press,1995.
7Sergio Los,《Carlo.Scarpa-an architectural guide》,p54 ‘With selective digs and creative demolitions,Scarpa attempted to isolate and uncover the various eras of construction so as to make the building itself one giant artifact……More than a theory of restoration,he was interested in historical clarity,so that history might become recognizable through the orderly coexistence of the various fragments.'
8Sergio Los,《Carlo.Scarpa-an architectural guide》,p38 "In the fa?ade,Scarpa placed window frames behind the arcade,on a different plane from that described by their arabesque motifs,lest the frames interfere with the arabesques.This simple necessity to respect the old structure and to preserve its design led Scarpa to the technique of separating the plane of the opening from the plane of the casement."
9Sergio Los,《An architecture guide》,p9 ‘The distinctive qualities of the architecture become a cognitive tool,used to understand and to help to understand the sculptures of Canova,……',p10‘The felicitous approach that Scarpa has taken with respect to those sculptures has been that of sharing his experience with the visitor…….
