摘要
方方在其长篇小说《乌泥湖年谱》中运用了大量的诗歌和各种应用文体,这与特定年代中的主体认知世界密切相 关:诗歌是主体的“真我”世界的体现,应用文体则是主流意识形态强迫主体建构“非我”的体现。主体在话语霸权中产生了“真 我”、“非我”两个世界的分裂,并逐渐由“真我”走向“非我”。
In her novel Wunihu Nianpu Fang Fang used a lot of poems and all kinds of practical style, which is closely related to the subject' s cognition world in the specific years. The use of poems was the reflection of the subject' s real world, while the practical style was the reflection of the construction of subject's false world which was forced by mainstream ideology. The subject's real world and false world's disruption came into being in discourse supremacy, and the subject gradually moved from real world to false world.
出处
《南京医科大学学报(社会科学版)》
2003年第1期42-45,共4页
Journal of Nanjing Medical University(Social Sciences)
关键词
长篇小说
《乌泥湖年谱》
诗歌
应用文体
话语霸权
Wunihu Nianpu
poems
practical style
discourse supremacy
real world
false world