三国时期《诗经》学者著述叙录及其启示

Academic Works Concerning The Book of Songs by Authors in the Era of Three Kingdoms: An Introduction and Insights Gained from them

比较全面地分类叙录三国时期有关《诗经》的学者和著述,进而指出:《诗经》在三国时期一直受到重视;鲁、齐、韩三家《诗》继续衰退,《毛诗》的地位得到了进一步巩固;当时《诗经》的传播,主要依靠学校、家学和师法三种途径;前期,荆州是中心,后期则转移到曹魏统治的北方;王肃的《诗经》学在当时占有重要的地位,但并没有完全取代郑学;三国的《诗经》学有义理方面的探求,但重点仍在用解经的方法作训诂,还没有把《诗经》作为文学作品来解读。

The present article is a classification and comprehensive introduction of the scholars of The Book of Songs and the academic works during the era of the Three Kingdoms. The following conclusions have been arrived at: first, special attention was consistently paid by scholars to The Book of Songs in this period. Secondly, the status of Lu's, Qi'sand Han's versions of Annotations of The Book of Songs declined continuously, whereas that of Mao's version was on the rise. Thirdly, The Book of Songs was popularized through private schools, individualized teaching by (grand)father and private tutorship by a teacher. Fourthly, the center of the study of The Book of Songs was Jingzhou early in this period, but was shifted to areas under the rule of the Wei Kingdom. Fifthly, Wang Su's theory of The Book of Songs was highly acclaimed, but that of Zheng was still influential. Sixthly, there were some explorations of the meanings and implication in the theory of The Book of Songs in this period although the focus was still on the critical interpretation of ancient texts in a classical way in which The Book of Songs was not interpreted as a work of literature. 