论王蒙小说的文学空间

On the Literary Space in Wang Meng's Novels

该文重点考察了,王蒙小说所展现的文学空间形态及其性质,探讨王蒙在艺术创作中如何运用现代主义的意识流交错手法,持续地尝试融合新的技巧,将行为的因果关系消失于无形,把时间还原为空间。刻意地回避传统的叙事结构,开创出新的叙事方式。同时该文还论述了王蒙小说中所隐涵着的“分离—考验—回归”和“走路”等原型类型,分析了前者在叙事结构和塑造艺术形象上所起的“祭仪”作用,后者在小说中的象征意义;揭示了王蒙小说在艺术创新过程中的独特性,重新审视了王蒙的反思作品的艺术特征及贡献,并进行了新的评价。

This paper examines the literary space and its nature displayed in Wang Meng's novels, and explores how Wang Meng applies the method of 'stream of consciousness' and other new techniques to his literary creation, deconstructing the cause-and-effect relationship in action and restoring time into space. The paper holds that Wang Meng tries his best to avoid conventional narrative structure. It also comments on some archetypes in Wang Meng's novels, reveals the uniqueness of Wang Meng's novels, reexamines and re-evaluates the artistic features of his works.