附声测貌 泠然可观——论王褒《洞箫赋》的艺术成就

A Commentary on WANG Bao's Artistic Success of Dong Xiao Fu

《洞箫赋》是现存最早的音乐赋,它使汉代音乐赋的创作模式得以完成。在音乐美学思想上,《洞箫赋》动摇了儒家政治教化的乐教观点,使音乐固有的娱乐特性凸现出来,人们不再固守音乐伦理道德教化这一层面,而转向音乐艺术本身,探求音乐艺术本身的规律及技巧。在音乐描绘上,通过细致的刻画,精巧的设计,或拟其声,或状其貌,把感官难以把握的东西描绘出来,让读者在细细的体味中感受到乐曲的魅力。

Dong xiao fu, the earliest music Fu of presence, forms the creation mode of the music Fu in the Han dynasty. On it's aesthetic thinkings, it shakes the ground of Confucian politics education opinions, and also shows the music the characters of entertainment. So people turn to probe into the music itself, its' law and artistry, instead of lying on the layer of the music's morality. On it's music description, it describes the thing which our sense cannot capture, through the ways of careful depiction, the definite design, sometimes it imitates the sound, sometimes describes it's image, so the reader can feel the taste of the music and enjoy it.