摘要
《聊斋志异》中,近五分之二的故事发生的时间设定在日暮或夜晚。蒲松龄在对古人继承的基础上大胆创新,把"夜晚"这一意象的内涵和功能发挥到了极致。本文试从继承性、必然性、神秘性和朦胧美四个方面进行阐释。
Nearly two fiths of the stories in Strang Tales from Lonely Studio took place in the evening or at night.Pu Songling,based on the former styles,gave free rein to the image of 'night',and entrusted it with connotations and functions.This paper aims to make an explanation from four aspects:inheritance,inevitability,mystery and beauty of mysty.
出处
《柳州师专学报》
2003年第2期11-14,共4页
Journal of Liuzhou Teachers College