摘要
节奏是这一音乐概念,用于叙事作品的分析中,它是通过故事时间和叙事时间的长短变化所表现出来的。本文通过对哈斯宝在《新译红楼梦》回批中对叙事节奏的表述和金圣叹的在《水浒传》中对叙事节奏的观点进行实例分析,探讨其二人在叙事节奏方面观点的异同。
Hasibao was born in the family of famous Mongolian translator and literary critic in the end of18 th century.His view on narrative literature workswas obviously showed on the book 'Preface or introductory' of 'New version of Dream of Red Mansions', 'Reading method', 'Feedback Notes', 'Entire Catalogues'.He called this Master Jinshentan school,this article simply reviewed Hasibao and Jinshentan's lifetime,mainly introduced their viewpoint by comparison analysis Hasibao and Jinshentan's view on narrative rhythm,sorting out their narrative thoughts and its relationship between each other.
出处
《西部蒙古论坛》
2015年第3期62-66,127,共6页
Journal of the Western Mongolian Studies
基金
黑龙江省教育科学"十二五"规划2012年度青年专项课题<哈斯宝与金圣叹文学观之比较以及对<蒙古文学理论>教学的启示>的阶段性成果
编号为GZD1212006