摘要
林国源是台北艺术大学戏剧系教授,早年留学法国,获美学专业博士学位,长期从事《诗学》、西洋戏剧史和戏剧理论研究和教学。出版著作有《古希腊剧场美学》、《戏剧的分析》、《现代戏剧批评》、《梦幻剧》、《诗的表演:从波特莱尔出发》等。2013年和2016年暑假他被邀请到上海交通大学开设'欧亚节庆文化研讨'课程。在此期间,尹庆红博士对其进行了访谈,就《诗学》与古希腊戏剧的关系、古希腊剧场美学、西方戏剧的传统,以及人类学剧场理论等问题进行了探讨。
Professor Lin Guoyuan is teaches in the Drama department at Taibei National University of the Arts. He obtained his doctorate in aesthetics in France. His research interests cover Aristotle’s Poetics, the history of Western drama and dramatic theories.He has published The Ancient Greek Theater Aesthetics, The Modern Drama Criticism and Performing Poems: Depart from Baudelaire,etc. In the summers of 2013 and2016 he was invited by Shanghai Jiao Tong University to give lectures on the festival culture in Asia and Europe. During Prof. Lin’s stay in Shanghai,Dr. Yin Qinghong interviewed him, and they exchanged opinions on the relationship between Poetics and ancient Greek drama, the ancient Greek drama aesthetics, Western drama traditions and the theory of anthropological theater.
出处
《马克思主义美学研究》
CSSCI
2017年第1期301-312,14-15,共14页
Research on Marxist Aesthetics
基金
国家社科基金重大项目“当代美学的基本问题及批评形态研究”(项目批准号:15ZDB023)的阶段性成果
关键词
《诗学》
古希腊悲剧
表演
人类学剧场
Poetics
ancient Greek tragedy
performance
anthropological theater