自律性的抑或社会限定性的音乐——尝试一种马克思主义的通路

Autonome Oder Gesellschaftsbedingte Musik:Versuch Eines Marxistischen Zugangs

本文在对音乐的哲学诠释中遵从着两个基本方向:其一是强调音乐独有的内在自律性,其二是以不同的方式和出于不同的理由否定这一独立性。虽然马克思主义的理论家在'反映论'的旗帜下主要强调音乐艺术的社会条件,因此成为反对'纯'音乐理论的坚决支持者,但本文作者坚持认为这样两种态度都是片面的,并且思考这一问题的解决应该遵循布洛赫的思想,寻求在一种宣言式意图之中的更高的综合('恒星的纯化',但同样真实地植根于'新的地球')。根据文本作者的观点,只有将音乐的自律性主题和社会制约性的主题和谐融合在一起,音乐才可以从根本上决定人类的本质。

This article follows two basic directions in the philosophical interpretation of music, one emphasizing the inherent autonomy of music, and the other is the negation of this independence in different ways and for different reasons. Although Marxist thinkers have mainly stressed the social conditioning of the art of music under the banner of "reflection",thus opposing the partisans of the theory of "pure" music. But the author’s opinion is that both of these attitudes are one-sided and that the solution of this problem should be sought by following E. Bloch’s thought that seeks for higher synthesis in the notion of announcement( the "Pureness of the Star",but also having real roots in the "New Earth"). According to the opinion of the author, only by coalescing harmoniously the theme of autonomy and social constraints, music can fundamentally determine the nature of mankind.