摘要
如今在各大城市如雨后春笋般兴起的公共雕塑,到底是装饰了城市,从而成为城市个体情感记忆的诗意性空间联结和城市管理的审美治理性策略,还是作为城市的多余物,只是无端地占据我们的城市空间,直至让我们不快甚至窒息?本文将公共雕塑作为城市中的视觉政治与经济景观,运用空间政治批评的方法,努力呈现和折射城市雕塑背后隐蔽的复杂性运作机制及其与城市空间所构成的复杂性关系,这对我们重新认识城市的公共雕塑的功用及其与城市空间的相互渗透性关系会有一定的帮助。
Do public sculptures, springing up in all big cities very quickly, decorate cities as symbols of poetic space and an aesthetic governance strategy, or occupy urban space and make asphyxia as superfluous things instead? This article takes public sculpture as visual political and economic landscape of cities, presenting and reflecting its complex mechanism and relationship by means of spatial political criticism,which is helpful for us to recognize the functions of public sculpture and the interrelations among different urban spaces.
出处
《马克思主义美学研究》
CSSCI
2018年第1期71-83,276,共14页
Research on Marxist Aesthetics
基金
2015年国家社科基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)阶段性成果
关键词
城市雕塑
视觉政治与经济
空间政治批评
Urban sculpture
visual politics and economy
spatial political criticism
emplacement and expression
exhibit and "look"
