刘纲纪与中国马克思主义美学的实践转向

Liu Gangji and the Practical Transition of the Chinese Marxist Aesthetics

中国马克思主义实践观美学是中国马克思主义美学实践转向的理论产物。刘纲纪的实践自由论美学理论在推动中国马克思主义美学实现实践转向的过程中起到了关键性的作用。刘纲纪从理论性质上将马克思美学确证为'实践观点的美学',不仅将'实践'确证为中国马克思主义美学的逻辑起点,促进中国马克思主义美学逻辑起点的实践转向,而且还促使了中国马克思主义美学从反映论模式向实践论模式的转向,实现了中国马克思主义美学逻辑架构的实践转向。同时,得益于刘纲纪对马克思实践观的本体化阐述,使得中国马克思主义实践观美学在逻辑起点上实现了现实性与普遍性的统一,在理论逻辑架构上实现了唯物性与辩证性的统一。

The Chinese Practical Aesthetics is the product of the Chinese Marxist Aesthetics practical transition. Liu Gangji’s Practical Aesthetics has played a central role in this process. In Liu Gangji’ s aesthetic theory, Marx’ s aesthetics is practical aesthetics. Through this point of view, Liu Gangji got to prove: practice is the logical starting point of the Chinese Marxist Aesthetics. These new ideas had foreshadowed the practical transition of the Chinese Marxist Aesthetics. Moreover, it was beneficial to the Chinese Marxist Aesthetics completing theoretical model transition from the mode of reflection theory to the model of practice. The transformation of this theoretical model means that the Chinese Marxist Aesthetics achieved the practical turn of logic architecture. On top of that, the establishment of Practice Aesthetics on this basis, the logical starting point is the unity of reality and universality, the logical architecture is the unity of materialism and Dialectics.