后现代女性主义对阿伦特政治美学的接受与创新

Post-modern Feminism Reception and Innovation of Arendt’s Aesthetics of Politics

文章探究后现代女性主义如何在后马克思主义语境下,接受、借鉴和一定程度上超越阿伦特政治美学。文章运用性政治、美学、伦理等交叉融合的研究方法,以阿伦特政治美学的核心概念(判断、公共领域、行动、创生等)为主要分析对象,从'他者'哲学及'性别正义'视角切入,在政治与美学的互动阐释中探究后现代女性主义对阿伦特政治美学的接受。此外,以克里斯蒂瓦的'新女性主义'为例,从哲学、符号学视角探究后现代女性主义对阿伦特政治美学的继承与创新。文章旨在揭示阿伦特政治美学对后现代女性主义的积极影响,帮助后现代女性主义者重新思考妇女解放、公民身份和革命之间的关系,最终展示作为新世纪女性的独特自我。这无疑对中国当代女性主义文艺理论具有借鉴意义。

The article explores how postmodern feminism accepts,refers to and to some extent surpasses Arendt’s Aesthetics of Politics in the post-Marxism era. It uses the cross fusion of gender politics, aesthetics, ethics and other research methods,with the core concepts of Arendt’s Aesthetics of Politics(judging, public realm,action, natality, etc.) as the main analysis objects. Besides, from the perspective of'otherness' philosophy and 'gender justice', the article explores the acceptance of the post-modern feminism to Arendt’s Aesthetics of Politics in the interpretation of politics and aesthetics interaction.In addition,taking Kristeva’s 'neo-feminism'as an example,from the perspective of philosophy and semiotics,it explores the inheritance and innovation of the post-modern feminism from Arendt. The paper aims to reveal the positive influence of Arendt’s Aesthetics of Politics on postmodern feminism, which helps the postmodern feminists rethink the relationship between women’s liberation, citizenship and revolution, and finally show the unique female ego in the new century, which undoubtedly has referential significance to the contemporary feminist literary theories of China.