摘要
王杰教授主编的《美学》教材是一部既具有强烈的时代感,又具有浓厚的民族特色的美学教材,是体现了中国学者本土美学建构诉求的大胆尝试。它从人的属性即人类学视野出发,在动态的视野中审视审美经验与艺术经验,突破了康德以非功利和静观为核心的美学信条。这部教材既具有鲜明的当代性和国际化的学术视野,又紧密结合中国与东方美学的问题语境,有自觉的本土意识。
Aesthetics, a textbook edited by Professor Wang Jie, is with strong sense of times and national features. It is an effort of Chinese scholars to construct a Chinese aesthetic system. It examines, from an anthropological perspective, aesthetic experience and artistic experience in a dynamic framework, breaking through the aesthetic principles of Kant, which focused on Non-Utilitarianism and contemplation.This textbook is featured with distinct contemporariness and global views, as well as native consciousness as it combines closely Chinese context and oriental aesthetics.
作者
汪正龙
Wang ZhengLong(Nanjing University)
出处
《马克思主义美学研究》
CSSCI
2018年第2期277-279,313-314,共4页
Research on Marxist Aesthetics
关键词
《美学》教材
编写范式
突破
Aesthetics textbook
writing paradigm
breakthrough