论牟宗三“化境”说的美学内涵

On the Aesthetic Connotation of Mou Chung-san’s "Realm of Transcendence"

牟宗三提出的'化境',作为一个美学范畴,值得引起特别的重视。'化境'以'善'为基石,以'即真即美即善'('合一说')为内涵,具有无相之相的特色,即真无真相、美无美相、善无善相。牟宗三的理论与王国维、冯友兰的学说并不相同,'化境'是艺术(美学)的,但又不限于艺术(美学),而王国维'境界'主要是艺术(美学)的;'化境'是人生的,但又不限于人生,而冯友兰的'人生境界'则主要是人生的。'化境'是人生与艺术的合一,是对王国维'境界'和冯友兰'人生境界'之理论的发展和提升。

Mou Chung-san’s aesthetic category'realm of transcendence'deserves the particular attention of academic research.'Realm of transcendence'is built on the basis of'goodness',demanding the unity of'truth,beauty and goodness'('unity theory').The theory of Mou Chung-san is different from that of Wang Guo-wei and Feng You-lan.The term'realm of transcendence'is artistic(aesthetic)but beyond art(aesthetic),while Wang Guo-wei’s'realm'is mainly artistic(aesthetic).'Realm of transcendence'refers to life,but is not limited to life,while Feng You-lan’s'realm of life'deals mainly with life directly.'Realm of transcendence'unifies life and art.It is the development and promotion of Wang Guo-wei’s'realm'and Feng You-lan’s'realm of life'theory.