摘要
仰韶文化作为中华史前最具影响力的文化系统,其彩陶纹饰艺术奠定了后来其他文化彩陶纹饰的基础。南方的雕龙碑遗址与西北的马家窑文化也均以独特的彩陶著称。它们曾拥有'仰韶风'这一共同的出发点,但随着时空的迁移,南延与西进使其审美意识形态在长达千年的发展过程中发生了根本性的变化,不同的环境造就了不同性格的彩陶纹饰艺术。因此,马家窑文化彩陶纹饰与雕龙碑遗址彩陶纹饰是对'仰韶系'彩陶纹饰艺术的继承与发展,其站在更高的阶梯上向前辈致敬,不忘初心,砥砺前行。既丰富了中华史前审美思想,又完善了中华史前彩陶纹饰系统,对其进行研究将有助于掌握中华史前文化的发展与走向。
Yangshao culture is the most influential cultural system before Chinese civilization and its painted pottery patterns laid the foundation of the other cultures’.Diaolongbei site in south China and Majiayao culture in the northwest of China are both famous for their special painted potteries.They have the common Yangshao style in the beginning,but with the radical change of time and space,different ways have changed their aesthetic consciousness greatly in the thousand-year development;different environments have given painted potteries different characteristics.Therefore,painted pottery patterns in Diaolongbei site and Majiayao cultures are inheriting and developing the Yangshao style and paying it greater respect.They have not only enriched the aesthetic consciousness,but also refined the painted pottery patterns system of prehistoric China.Therefore,its studies will certainly help to grasp the development and trend of Chinese prehistoric culture.
出处
《中国美学》
2018年第2期54-64,共11页
Chinese Aesthetics
关键词
雕龙碑遗址
马家窑文化
彩陶
纹饰艺术
审美
Diaolongbei site
Majiayao culture
paited potteries
patterns
aesthetic