摘要
马克思、恩格斯在《共产党宣言》里,把物质生产的空前进步、资本的疯狂扩张及世界市场的形成作为世界文学时代到来的深刻动因。他们与歌德的相同之处在于,都未对"世界文学"这个术语进行理论的界定和阐释。自此以后的世界文学研究应该说是在不同的方向和路径下展开的。从正统马克思主义者到西方马克思主义者(狭义)都有对世界文学理论的关注,只是到了后马克思主义者那里它才成为一个焦点,尤其是卡萨诺瓦和莫莱蒂。中国的马克思主义文论要在与后马克思主义文论的积极对话中,建构出独具特色的社会主义世界文学观及相关的操作规则。
The unprecedented progress of material production,the quick expansion of capital,and the formation of world market are considered,in Communist Manifesto,written by Marx and Engels,as the profound motivation of the arrival of the era of world literature. They didn't give theoretical definition and interpretation to this term,World Literature,nor did Goethe. Hence,from then on,the study on world literature has been being conducted in different directions,from the orthodox Marxists to the western Marxists,but it has been focused by the post Marxists,Casanova and Franco Moretti. The concept and the operating rules with Chinese socialist characteristics will be constructed under the positive dialogue between the post Marxist Literary Theory and the Chinese One.
出处
《绵阳师范学院学报》
2015年第1期7-12,共6页
Journal of Mianyang Teachers' College
基金
四川大学中央高校基本科研业务费项目(青年教师科研启动基金项目)"莫莱蒂文论思想研究"(skq201317)
四川大学中央高校基本科研业务费研究专项项目"后马克思主义文论与后现代主义文学思潮"(skgt201205)