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试论独白剧场中的肢体表达——以《悲情时光》为例

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摘要 独白是一种常见的编剧技巧,它丰富了剧场的表达手段及美学内涵。当下,在对现当代表演艺术的探索中,往往忽略了独白剧场的肢体表达,甚至觉得独白和肢体是两种截然对立的审美维度。鉴于此,本文结合《悲情时光》的艺术实践探讨独白剧场中的肢体表达,并提出"综合有机术"的表演训练理念,期待当代剧场能呈现出更丰富的审美维度,让观众可以领略到潜藏在肢体表达中的审美体验。
作者 钟海清
机构地区 中央戏剧学院
出处 《中国民族博览》 2019年第2期127-129,共3页 China National Exhibition
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二级参考文献26

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