摘要
21世纪以来中国悬念片获得长足发展,屡出佳作,获得艺术和市场的双丰收。但悬念片光明的未来背后仍然存在问题。文章立足中国悬念片发展历史,考据源流,以《暴裂无声》为代表案例,用类型批评的方法分析当代中国悬念片的发展状况及创新之处,认清缺陷和不足,借此来探寻中国悬念片的发展之路。
Since the 21 st century, suspense films in China have made great progress, producing excellent works repeatedly, and achieving a double harvest of art and market. But there are still problems behind the bright future of suspense movies. This paper, based on Chinese suspense development history, takes Wrath Of Silence as an example by the methods of genre film criticism to analysis the development and innovation of contemporary suspense films in China, realize the flaw and the insufficiency, to explore how to develop suspense films in China.
作者
郭佳乐
GUO Jia-le(School of Humanities,Wenzhou University,Wenzhou 325035,China)
出处
《红河学院学报》
2019年第2期125-127,132,共4页
Journal of Honghe University
关键词
类型批评
悬念片
《暴裂无声》
类型期待
Genre Criticism
Suspense Film
Wrath of Silence
Genre Expectation