摘要
作为少数民族舞蹈中的"弱势群体",回族舞蹈在其发展道路上存在着诸多劣势与先天不足,而其独特的民族性与宗教性,使其舞蹈具有自身的个性特点。回族舞蹈从回族音乐中发展而来,并逐渐从音乐中分离,具有它的个性选择和文化意义。在当下民族民间舞蹈"寻根"潮流中,回族舞蹈的"滞后"反而成为它最大的优势,因而较之其他兄弟民族具有更广阔的发展空间。回族舞蹈的产生与发展,是在伊斯兰文化与中国儒家文化融合基础上的文化创造,体现了回族舞蹈发展的个性特点,必须要抓住回族独特的文化内涵和民族心理。
as a of minority danle minority in the dance of'vulnerable groups', the Hui nationality dance in the process of its development, there are many disadvantages and congenitally deficient, and its unique ethnic and religious, the dance has its own personality characteristics. The dance evolved from the music of Hui,and gradually from the music of separation. Individual choice and cultural significance of it. In the present folk dance 'roots'in the trend of the dance 'lag'has become the biggest advantage of it, so compared with other ethnic groups has a broad space for development. Reflects the personality characteristics of the Hui nationality dance development, must seize the Hui unique cultural connotation and national psychology.
出处
《民族艺林》
2016年第2期33-36,共4页
Journal of Ethnic Art
关键词
回族舞蹈
个性特点
发展空间
文化内涵
民族心理
Hui Dance
Personality Characteristics
Development Space
Cultural Connotation
National