新时期绘画对文人形象的再塑造

A Recreating of Literary Images into Chinese Painting in New Era

古代的山水画、人物画、仕女画从不同层面成为文人形象的"喻体",深刻打上叙述主体的烙印。随着权力话语的变化、文化环境的更易以及后现代主义的特殊语境,新时期绘画中文人形象发生了变迁,有对传统的继承与发展,也出现了畸变与颠覆。对比考察古今绘画对文人形象的转译态度,对探寻文人形象在绘画中的嬗变以及文学成像方向提供了重要线索。

In a certain way, traditional Chinese landscape painting, figure painting and beauty painting are metaphors of the ancient Chinese literary. However, literary images in contemporary modern painting are different, not only inherit its traditional thoughts, but also innovate and develop themselves, and even appear to warp and subvert the literary images. This paper focuses on the concept of collision and integration, provides an important clue in exploring new features of representation of literature and narrative subjects.