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山水画中分黑布白的现当代样式浅析

An Modern and Contemporary Style Analysis of “Black and White Layout” in Landscape Painting
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摘要 分黑布白作为一种山水画空间形式的经营手段,在古代绘画发展中,大致经历了从稚拙原始到自然单纯再到复杂多变的发展过程。随着传统山水画的发展进入现当代时空,由于其要应对新的文化语境与艺术史课题所带来的问题,因此在图式技法、章法结构等方面发生巨大变化,而分黑布白也自然呈现出新的样式与特征,显示出艺术家在分黑布白上的多元态度与丰富的表达手段,并由此形成了分黑布白的经验,这值得认真地对待与分析。 As a management method of space form in landscape painting, 'black and white layout'has gone through the developing process from the immature primitive level to more natural and purer level, and then to reach a complex and changeable level in the development of ancient paintings. With the development of the traditional landscape painting entering the era of the contemporary space and time, it is needed to deal with the problems caused by the new cultural context and the history of art, thus, great changes have taken place in the schema techniques, the composition structure,etc. Accordingly, 'black and white layout'also presents new styles and features which has shown the multiple attitudes and rich expressions of the artist and has formed the experiences in 'black and white layout'. It deserves to be taken seriously and analyzed carefully.
作者 张继春
机构地区 宁夏美术家协会
出处 《民族艺林》 2016年第4期53-58,共6页 Journal of Ethnic Art
关键词 分黑布白 表现样式 画面 语言 空间 'black and white layout' performance style picture language space
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