手工刻板图案数字化之相关问题探讨——以山西省非物质文化遗产“平阳印染布艺”为例

On the Digitalization of Hand-engraved Patterns——A Case Study of Pingyang Printing and Dyeing Fabric Art

在人类的文化遗产与文物中存在大量的手刻图案、纹样,这些不同时代不同地域的图案是当时当地人群之民族特色、时代特征、文化特点的反映。这些图案作为数量巨大的有形遗产,有必要对其进行数字化保护,"图像采集""图形绘制"是记录静态图像的主要技术手段。文章以平阳印染布艺原纸型版图案的采集与绘制为例,旨在探索手工刻板图案数字化保护标准化的问题,提出"忠实原貌、还原历史、尊重人的痕迹"之数字化保护原则。

A great amount of handcrafted engraving graphic designs and patterns existed in human cultural heritages and relics, reflecting the characteristics of ethnics, times and cultures in different eras and regions. These designs and patterns, as the plentiful tangible heritages, needed to be digitally preserved. The issues of image capturing and rendering were mainly discussed in the recorded pictures. Taking the original paper patterns capturing and rendering in Pingyang Textile Printing as an example, the paper intended to explore the digital preservation standard of handcrafted engraving designs and proposed the principle as'adherence to the original, reconstruction of the history and respect for the human trace'.