清江流域“哭嫁”习俗空间规训的管窥

On the Space Discipline of Crying Marriage in Qingjiang River Basin

'哭嫁'是清江流域婚俗过程中一个不可或缺的环节,它不仅是民间文学的表达形式,更承载了一个民族历史发展的记忆。在时间的逝去与空间的流转中,土家族的'哭嫁'习俗始终以女性为认知主体,形成了一个节点众多的微观空间规训体系,表达了女性心理在各个阶段的发展轨迹。随着时代的发展,许多传统习俗被时间埋葬,当地人基于自己的经历和情感所展现的文化习俗景观被付之一炬。然而,'哭嫁'习俗作为一种微观空间场景,在漫长的历史长河中依然传承着,这与它隐藏的规训力量是分不开的。对其空间规训的动态过程进行剖析,对于'哭嫁'习俗的保护性传承、创新性发展以及'多相'景观的共生具有重要意义。

Crying is an indispensable part of the marriage custom in the Qingjiang river basin.It is not only the expression of folk literature,but also the memory of the development of a nation’s history.In the passing of time and the circulation of space,the custom of crying marriage of Tujia people always uses female as the cognitive body,forming a micro-space discipline system with many nodes,expressing the development process of women’s psychology at various stages.With the development of the times,many traditional customs have vanished gradually,and the cultural custom landscapes of local people on the basis of their own experiences and emotions have been burned.However,the practice of crying marriage as a microscopic space scene is still inherited in the long history,which is inseparable from its hidden discipline.The analysis of the dynamic process of spatial discipline will be of great significance to the protection and inheritance of crying customs,innovative development and symbiosis of'multi-phase'landscape.