论“趣”

A Study of “qu”

“趣”作为一个诗学范畴是在六朝时开始被人们经常使用的。关于“趣”的论述 ,经宋元人的发展到明清时期达到极致。“趣”有“自然之趣”、“艺术之趣”和“人心之趣” ,它的涵义表现于作品中可指“意旨”、“风致” ;表现于创作主体则指人的慧黠灵性。对于古人“趣”论的爬罗梳理 ,不仅可以理请他们在特定时境下使用“趣”的特定涵义 ,而且 ,对于我们今天倡导富有灵气、智慧、幽默等民族品质与精神 。

The term “qu” of classical poetry was often used in the six dynasty. In Song dynasty and Yuan dynasty the exposition of “qu” was furthered and it reached its climax in Ming dynasty and Qing dynasty. “qu” contains “natural tendency”, “artistic tendency” and “feeling tendency”. It refers to “intention”, “elegance” of a poem and main intelligence. The analysis of “qu” contributes to our understanding of its specific meanings in different contexts as well as promoting national quality and spirit such as intelligence, humour etc.