摘要
审美文化在全球化语境下获得了全新内涵的同时也彰显出三种悖论 ,即工具理性凌越表现理性的技术性悖论、启蒙现代性消解审美现代性的现代性悖论和非理性主体压倒理性主体的主体性悖论。面对这些悖论 ,我们所要做的不是消除这些悖论 ,而是站在生态批评的立场上 ,运用现象学方法将其整合在文化生态的动态平衡场域 ,以此促进审美文化的长足发展。
The aesthetic culture have been gaining new intension in globalization context. Meanwhile, there are some paradoxes existing: the technologization paradox, modernization paradox and subjectivization paradox. Faced with these paradoxes, all we should do is consolidating them into a dynamic equilibrium field of culture ecology in the view of ecological criticism so as to promote the aesthetic culture development rather than eliminating them.
出处
《宝鸡文理学院学报(社会科学版)》
2003年第2期19-23,51,共6页
Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词
全球化语境
审美文化
审美特征
生态批评
globalization context
aesthetic culture
aesthetic character
ecological criticism