论“传神”与中西审美精神

Catching The Spirit And the Aesthetic of China And The West

中国艺术以形写神 ,以形似达到神似 ,神似重于形似。“传神”的审美特征体现了中国传统的美学精神 ,体现了中国美学重“无”的智慧取向、“省”的审美意识及其玄学的色彩。这与西方追求刻肖外物的真的境界 ,重“有”、重再现的美学思想形成了对比 ,而中西方将互融互补 ,艺术共荣。

The art of China is written the good with the shape ,Alike in spirit in order to be similar to reaching ,the similar of spirit is more important than that of the shape .Aestheic characteristic of catching the spirit has reflected China's traditional aesthetics spirit,it has reflected the spirit of 'no',has reflected Aesthetic consciousness of the introspection and the Color of metaphysics.The West pursue the life like world which make the difference form China.It will complementary to melt each other and make mutual prosperity of art.