受话·旁听·窃听——话剧《原野》中闻者角色的语用解读

Addressee, Bystander and Eavesdropper—A Pragmatic Interpretation of the Hearer Roles in Drama The Wilderness

为推动会话分析的动态研究 ,进一步深入探讨话语角色类型及其在言语交际中的转换 ,本文作者初步建立了以言者心理视角为参照的闻者话语角色转换的分析模式 ,并以曹禺三幕名剧《原野》的剧本为基础语料 ,在剖析人物台词的同时验证这一模式的可行性 ,从而为语用学在话语角色这一研究领域开辟出新的思路。

In the dynamic era of discourse analysis studies, it is a must to delve further into the discourse roles and their switching in interaction from the pragmatic angle. With the original script of Cao Yu's 3-act drama The Wilderness as its basic corpus of data, this paper is an attempt to set up and verify a dynamic mode for the analysis of the hearer roles and their switching, which is a new approach not only to the study of The Wilderness, but also to the study of discourse roles in pragmatics.