摘要
文章试图在阐述持续音的三种基本类型的基础上 ,摘取交响组曲《舍赫拉查达》中的若干典型谱例加以分析 ,来从中学习配器大师里姆斯基 -科萨科夫精湛的管弦乐持续音技法。
The papers explained the three basic sorts of pedal note first, then made some analyses of examples from the symphonic poem Scheherazade. The writer try to study the Rimsky Korsakov technique of pedal note in orchestration work in this way.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2003年第2期77-87,共11页
Huangzhong:Journal of Wuhan Conservatory of Music