论《水浒传》女性形象的审美倾向

Aesthetic Views on Women in Water Margins Abstract

在对女性形象的审美倾向上,《水浒传》表现出明显的内在美与外在美对立状态、褒阳刚而贬阴柔、重“理”而轻“情”的倾向,打上时代的烙印。客观地指出这一点,并不影响其伟大。

Water Margins had obvious aesthetic views on women, such as conflict betweeninternal beauty and external beauty,overrating adamancy but underrating morbidezzarecognizing logos but deprecating emotion. All these views should be droppedbehind. The book is still a great work though the localization is objectively pointed out.