摘要
摄影艺术作为一门视觉艺术,艺术家在"创造"过程中,体现了主体意识对客观世界的认识及作者审美情趣与作者所选用的原素材的高度融合。摄影作品作为一种"有意味"的美的形式,体现了作者"内心生活"与客观世界"内在生活"的规律的统一。摄影艺术用"现实在的符号"表现人们的内心生活,更强调外在景物与内在情感的统一,创作的根本目的在于寻找内心世界与外部世界的契合点,所以,摄影艺术从主观到客观两方面对现实的关注都达到了全新的境界。
As a visual art, the artist gives voice to the congnition of the extension and the highly amalgamation between the author's aesthetic attainment and the material. As a form of meaningful art, the art of photography the unification of the author's 'inner life'and the extension's 'immanent life'. The photography expresses results in man's 'inner life' by photography denotation, insists the unification of explicit scenses and immanent feeling, And therefore photoqraphy carries its points in two aspects from subjective to impersonality to a new compass.
出处
《兰州铁道学院学报》
2003年第2期95-98,共4页
Journal of Lanzhou Railway University