摘要
在人类进入信息化时代的今天,作者认为在艺术创作中时代性是第一位的,本文通过对当代中国绘画发展的现状分析,认为"民族性"其实是一个不需要争论的问题,因为当代无数画家的作品所呈现出的新风貌仍明显地表现出与民族文化的血缘关系,这种精神上的回归是自觉的。
At the days of information,the author thinks it plays an important role in times of art creation.After the analysis of the development of today's Chinese paintings,this essay holds that,in fact,art's nationality has argued itself because the relationship of origins has still evidently been shown between new look that is taken on by a large number of artists' works and it's nationality. This return of spirit is natural.
出处
《兰州铁道学院学报》
2003年第2期99-101,共3页
Journal of Lanzhou Railway University