摘要
李渔和莱辛在戏剧理论中都提到了市民化、通俗化的主张,比较这两位东西方艺术家的戏剧美学特征,对于了解和拓展古典戏剧美学的研究,能够提供更多的视角;本文认为,李渔和莱辛共同致力于戏剧通俗化的主张和实践,李渔注重于戏剧艺术的表演层面,莱辛则更具有内在的悲剧精神。
Li Yu and Leixin all brought forward the opining towards literature for burghers and popularization in drama theory,which can offer us more visual angles to realize the extended research into classicial drama aesthetics through comparison with their character of dassicial drama aesthetics. The author holds Li Yu and Leixin applied themselves to the drama's popularization together, Li Yu payied attention to act of drama, while Leixin bore more immanent cothurnus.
出处
《兰州铁道学院学报》
2003年第2期115-118,共4页
Journal of Lanzhou Railway University
基金
莱辛与李渔戏剧美学比较文学研究课题 .
