幻想,狂想,我想……——从两部作品看作曲家韩兰魁

Fantasy, Rhapsody, And My Opinion To Composer Han Lankui From His Two Compositions

研究韩兰魁《幻想舞曲》与《祁连狂想》两部间隔十年的作品 ,发现作曲家在两部作品中都运用了“单一主体控制全曲”等技法 ,但两部作品中一部是现代的 ,一部却是传统的 ,两部作品的音乐风格迥异。作为一位卓有成就的作曲家 ,韩兰魁从单纯追求现代风格到趋于创作多元化 ,进而在古典和现代之间求得一种平衡 ,在探索性与可听性之间求得平衡 ,无疑是一种进步。这种观念的转变在一定程度上也代表着当代中国作曲家总的审美追求。

To analyze two compositions of Han Lankui, Fantasia Dance and Qilian Rhapsody, the writers found out there had been a special technique used in both works. That was to dominate the whole piece with a single theme. But these two pieces were ten years separated, one in traditional way while another in modern style. As a fruitful composer, Han Lankui changed his music style from the just modernism to multi elements in his composition, to focus on the balance between the classical and the modern, between the explored and the charming. This idea represented in a certain extent to the general taste of the Chinese contemporary composers.