摘要
本文以产生于“文化大革命”期间的“毛主席语录歌”为研究对象 ,论述了“语录歌”的产生、“语录歌”的推广和流传情况、“语录歌”理论、“语录歌”的遽然消失、“语录歌”的音乐特点、李劫夫的“语录歌”创作 ,最后论述了“语录歌”这一特殊的文化现象。
The paper took the song of Chairman Mao's quotation in the Cultural Revolution as the research object, dissertated its emerge, extend and popular, as well as its theory, disappeared, music features, Li Jiefu's composition, and the special culture phenomena in the end.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2003年第1期43-52,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
语录歌
文化大革命
红宝书
最高指示
政治-音乐
红卫兵
李劫夫
特殊文化现象
song of Chairman Mao's quotation, Cultural Revolution, Red book, Chairman Mao's order, politics music, Li Jiefu, special culture phenomena