试析河姆渡文化原始艺术的审美特征

AN ANALYSIS OF THE AESTHETIC FEATURE IN THE PRIMITIVE ART OF HEMUDU CULTURE

河姆渡先人早在五至七千年前就在浙东地区创造了灿烂的原始文化。刻划、雕塑等原始艺术手段则是他们主体审美意识物化的主要形式,与浙东独特的自然生态条件和当时生产力发展水平相对应,逐渐形成了河姆渡文化原始艺术的三个层次的审美特征:写实性表现与对自然美追求相结合特征、线条的运用与对形式美的追求特征和象征性表现与对意蕴美的追求特征。

Five to seven thousand years ago, the primitive people in Hemudu developed a brilliant primitive culture in eastern Zhejiang. The artistic mediums such as carving and sculpturing were the chief artistic forms which were the incarnation of their subjective aesthetic sense. They corresponded to the natural and ecological conditions in eastern Zhejiang and the development standard of productive force then. And therefore, there developed gradually three levels of aesthetic feature in the primitive art of Hemudu culture. First, the integration of the realistic expression and the pursuit of natural beauty. Secondly, the application of lines and the pursuit of form beauty. Thirdly, the symbolic expression and the pursuit of significant beauty.