摘要
法国文学家波德莱尔上承古典主义的模仿论和浪漫主义的生态论,下启象征主义的先河,将现代性意识定位于城市生活经验的瞬时感受,紧扣忧郁特质,通过"化丑为美"的手法创造出比现实更显真实的诗化自然,为现代城市经验重构出一套"诗—自然—城市"的美学范式,进而奠定了城市人与自然相互应和的审美观——一种具有美的现代性特征的自然观:从城市经验过渡到诗歌经验。
French litterateur Baudelaire inherited the classical theory of imitation and the ecological theory of romanticism and started the age of symbolism. Keeping in touch with spleen and positioning the consciousness of modernity on the instantaneous feelings about the current city life experience,he has created a poetic nature that is more real than the reality,and constructed a set of aesthetic experience paradigm of'poem-nature-city'for the modern city by a unique writing method of 'turning ugliness to beauty',thus formed an urban ecological aesthetic theory that is based on harmony between the human beings and nature,a poetic view of nature characterized by the modernity of beauty beyond the traditional nature: i. e.,urban experience transiting to poetic experience.
出处
《南京师范大学文学院学报》
CSSCI
北大核心
2019年第1期91-98,共8页
Journal of School of Chinese Language and Culture Nanjing Normal University