摘要
台湾电影在发展过程中,对城市的写作一直持批判的态度,将其塑造成罪恶渊薮和人情冷漠之地。本文辩证地站在台湾电影史发展的不同阶段,认为台湾电影的这种创作倾向与批判态度,实际上体现了知识分子们关于现代性的深刻反思。一方面体现了人类对于精神家园的不止追求,另一方面也饱含了对现代性的诟病和消费文化对主体结构性强迫的深刻反思。
In the process of its development,Taiwan Residents films have always been critical of the writing of cities,shaping them into places of evil and cold blood indifference. Taking a dialectical view on different stages of development of Taiwan Residents film,this paper argues that this creation tendency and critical attitude of Taiwan Residents films actually reflect the intellectuals’ deep reflection on modernity. It reflects not only the pursuit of human’s own spiritual home,but also the profound reflection of the ills of modernity and the structural oppression enforced by consumer culture on the subjects.
出处
《南京师范大学文学院学报》
CSSCI
北大核心
2019年第1期147-152,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社科基金艺术学一般项目"台语片的类型生产与文化再现研究"(项目号:16BC043)
关键词
城市
现代化
台湾电影
urban
modernity
Taiwan Residents film